Showing Records: 1 - 9 of 9
Commonpress: Speciale Italia. No.9 / Giulia Niccolai, Adriano Spatola, editors ; Vangelisti P ; Duch LF ; Petasz P ; Groh K ; Deisler G ; Spatola A ; Rehfeldt R ; Baroni V ; Bruscky P ; Perfetti M ; Szombathy B ; Niccolai G ; Gualtieri M ; DeJonge K., 1978
Pawel Petasz initiated Commonpress and was its first editor. -- Source of annotation: Marvin or Ruth Sackner.
Dissenso, Il: Poesia da Montare. No.3 / Adriano Spatola., 1965
The structure of the poetic space is similar to Mallarme's "Un Coup de Des" with varied typefaces and sizes spaced on the surface of the cards which must be spread flat as a grid to be read. Two cards can be shuffled and placed side by side to form different meanings. -- Source of annotation: Marvin or Ruth Sackner.
Dissenso, Il: Zeroglifico. No.9 / Adriano Spatola., 1966
klankteksten ?konkrete poezie visuele teksten Exhibition: un point 1966. No.102a / Adriano Spatola., 1970
This print was hung in the most important exhibition of concrete poetry in its time. The numbering scheme used to classify the posters is based upon the pages of the exhibition catalogue with the same title. -- Source of annotation: Marvin or Ruth Sackner.
Skuc II / Hanzek, Matjaz ; Spatola A., 1975
Each page depicts concrete poem(s). -- Source of annotation: Marvin or Ruth Sackner.
Tam Tam: Quanto Basta E alto. No.45A / Claudio Francia ; Spatola A., 1985
Trisegno, Il: Picollo Majakovskii per El Lisiskij. No.1 / Adriano Spatola., 1982
Edited by William Xerra. Issues No.1-4 were packed in the same box. -- Source of annotation: Marvin or Ruth Sackner.